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Unemployment

I am sick of being unemployed.

I am sick of feeling useless and inadequate. I am sick of being bored because I have copious free time but rarely have the money to do anything with it. I am sick of being lonely because I cannot afford to visit my existing friends who live long distances away, and I have few opportunities to make new friends because I can’t afford to get out much. I am sick of the fact that when I go to a pub, for an open mic night or whatever, I have to carefully consider whether I can afford to have a second or even a first drink. I am sick of knowing that when meeting new people, sooner or later the question of ‘what do you do?’ is going to come up, and that I will be embarrassed as I have no answer: I’m not just out of work, I’ve never been in one job long enough to be able to say what I’d ‘normally’ be doing. I am sick of knowing that my already dubious chances with the opposite sex are reduced to basically zero by my being a 27-year-old man with no job who lives with his parents. I am sick of racing towards the end of my twenties with a sense that I haven’t even got started on life yet. I am sick of knowing that I have long-standing social anxiety problems that I need to try and address, but that I have few opportunities to tackle them properly because I cannot afford to get out and about and expose myself to social situations very much. I am sick of knowing that for as long as I am starved of social contact, those problems are only likely to get worse.

For some time now, I have been living from day to day, without really thinking much about where I’m going or planning ahead by more than a month or so. This has prevented me from being particularly effective in my job-seeking, but has also allowed me to remain vaguely comfortable and not worry too much about all of the above. But for a variety of reasons, I have recently been unable to maintain this any longer. So it’s been a rough few weeks, although at least I am now taking my job search seriously.

But now I am also sick of job-hunting. I am sick of finding a vacancy that looks promising, of working up enthusiasm for an employment opportunity, of waiting for a response, and having my newly-fledged hope dashed when the response comes back negative. I am sick of having to write accounts of myself that are both honest (or, at least, free of outright lies) and overwhelmingly positive, despite my poor self-image and natural distaste for immodesty. I am sick of knowing that every day spent without a job further diminishes my chances of finding one, especially one that I don’t find particularly unpleasant or disagreeable. And I’m sick of not sleeping well because I’m feeling stressed by the whole enterprise.

I am disgruntled.

Numbers

According to a popular online dating website, “At Match we’re proud that every day 160 members leave us … as couples.”

That does sound pretty good. But how did they get that figure? Fortunately, thanks to trading standards laws, there’s a handy footnote explaining.

According to a poll of 1000 people who had ended their memberships of the website, 17% said it was because they had found a partner on the site (and so no longer needed it). Multiplying this figure by the 344,681 people who left the site in one year, and dividing by 365 to get the average per day gives you 160 (rounded to two significant figures).

Assuming the poll was representative (and I have no reason to believe otherwise), that seems a reasonable enough extrapolation. I could raise the slightly pedantic objection that when they say ‘every day’, they mean ‘on an average day’, but that doesn’t really bother me that much. However, there are other numbers we can get from that poll as well. For example, 5,500 people leave the site every week without having found a partner there. Or you could just take the simplest figure of all: five out of six memberships end without having resulted in the love that most members are presumably hoping for when they join.

At this point, it could be interesting to speculate a little about the other reasons people might leave. One that doesn’t directly involve any deficiency in the service would be if the person leaving had found a partner by some other means, and so had no need of the site any more. I admit this is unlikely. Cruel stereotypes and my own prejudice tell me that people who are trying to find partners on the internet aren’t going to have much luck finding them any other way. However, for now, I’ll charitably assume that this happens as often as people finding a partner through the site. That is to say, it applies to 17% of cancellations, or about one in six (if nothing else, this makes for tidy numbers).

Armed with this assumption, we can now claim that two-thirds of people who join the site leave it just as single as when they joined.

But what if that assumption is wrong? In all honesty, it doesn’t matter much. If the assumed figure is too high, then that just means the proportion of people who leave the site single is more than two-thirds.

But what if it’s too low? Well, in that case, members are being charged money for a service that is less likely to find them what they are looking for than they were to find it for themselves anyway. I think that’s probably even worse.

Interestingly, just how much this service will cost is not advertised. The front page invites you to “register for free to meet new people today”, but this does not get you a functional service. Further down the page it explains that this will allow you to view other people’s profiles, but you will have to pay to be allowed to actually contact any of these people. Presumably once you’ve registered and feel that you are committed to the endeavour (and have spotted some other members that you really want to meet) it will then tell you how much it’s going to charge you for this dubiously useful service.

All in all, I can definitely see why they went for the “160 people a day leave as couples” figure.

Epic Chaos Update

Back in February, in anticipation of possibly getting a game or two of Epic in while I was down in Southampton, I made a few small additions to my Chaos army. These were mostly to make the army work with the latest NetEA version of the army list, which has made a few changes that would affect my army.

The first of these was a fourth Defiler/Daemon Knight. Under the current rules these aren’t much use as an upgrade to other formations any more, but are quite good as a formation in their own right. However, to use them in this way, you need four, so I needed to convert and paint another one. Fortunately, I had one Knight Paladin model spare:

Daemon Knight

And here is the formation of all four:

Daemon Knights

Another addition were these Stalker AA tanks. The Stalker is a proposed addition to the Chaos army list intended to offset the fact that Obliterators are having their AA capabilities toned down a bit. My conversions are just E40k-era Whirlwinds with one half of the missile launcher removed and the other re-angled skywards. The result is slightly odd and lopsided-looking, but in a way that I quite like.

Stalkers

While I was at it, I also converted and painted this Thousand Sons Chaos Lord (along with transport and an extra stand of rubric marines). He doesn’t have any use in the Black Legion army, but if I use the Red Corsairs list he’ll be useful for the Cult Marines formation.

Thousand Sons Lord

I also made a couple of changes to the Lord of Change. I was never entirely happy with his loincloth, and it didn’t look quite right being the same blue as his torso, so I re-did it in white. I also tidied up a few imperfections on his head.

Lord of Change

In the event, I didn’t get any games in with this army (only the Eldar). However, a couple of things prompted me to continue working on it. Firstly, under the current NetEA Chaos list my army wasn’t quite legal: I need one CSM retinue for every formation of Chosen, Chaos Terminators or Decimators in the list, and I was one short. The other factor was that Forge World had produced a few more Warhound titans. So over March and April, I made the following additions.

Firstly, based on the FW Warhounds, a pair of Feral Titans:

Feral Titans

For some reason the photo has made the mould line on the tail of the one on the right much more visible than it is in reality.

Having painted these, I got out my Ravager conversion and concluded that it needed a bit of work. It showed that parts of the paint-job were done several years ago when my painting skills were not up to much, and the base was a little too plain and lacking in scenic detail. I don’t like excessively detailed diorama-style bases for gaming figures (although they’re great for models intended purely for display), but on a large base like this one, a little bit of detail is necessary. So I touched up the paint-job a little and re-based the model. Here it is:

Ravager titan front view Ravager titan side view

While I was working on War Engines, this seemed like a good time to convert some Death Wheels. I put together one, but didn’t quite have enough parts for any more, so I ordered some more, along with the infantry I was going to need to make the army legal.

While waiting for those to turn up, I converted up some objective markers. I did some of these for the Eldar, and had always intended to do the same for my Chaos army but hadn’t got around to it.

Chaos Objective Markers

So after a few days the remaining bits turned up and I was able to finish off a Deathwheel Squadron:

Deathwheels

The design is, I must confess, completely ripped off from these. I’d have liked to be a bit more creative, but I couldn’t find enough suitable parts in my bits box(es), so in the end I just went with the straight-up steal. I’d like a some point to do a third (they come in squadrons of up to three), but I didn’t have enough spare tracks at the time, so two will have to do for now.

Having done lots of exciting War Engines, it was now time to knuckle down and get some more infantry done. First up, a detachment of Havocs:

Havocs

The Rhinos were actually painted back in September, as I had a few spares.

Following those, another Retinue, which makes the army legal again:

Chaos Space Marine Retinue

No Rhinos for these guys; they’ll have to slog it out on foot. I’ve included both a Lord and Sorcerer Lord for the retinue, and an option for an Icon Bearer. No Champion, though, as I’m out of Space Marine Chaplains to convert them from.

I also have another four stands of Flamers, bringing the total up to twelve:

Flamers

I then went on to paint up this squadron of Hellblade fighters:

Hellblades

And finally, I added this Daemon Prince:

Daemon Prince

This is just the Warmaster Daemon Prince model with a couple of Terminators added to the base to make it legal as an infantry unit. I think the Epic Daemon Prince unit was originally intended to represent a slightly smaller daemon than this one, but it’s a cool model, so I’m not that bothered.

All of this brings my army to just short of 8,000 points, making it my second largest army (and legal again). However, I do not intend to stop here. I have some more infantry on order, and once those are done I’m going to have a go at converting a Warplord Titan. After that, there will be only a few bits and pieces to add before I can declare the army to be done and finished (at just over 10,000 points).

Failure

I heard back today from a job I applied for about a fortnight ago. I didn’t get it. That I didn’t get this particular job specifically is only slightly disappointing. It would have been a good opportunity to get into a job that would provide development and training, and which might have involved some interesting work, but never mind.

What is a problem is that they rejected my application without giving me an interview. If they had interviewed me and then decided that of all the candidates, I wasn’t the best, that would be fine. There’d be other jobs. But instead they looked at my CV and without even having met me, they decided I wasn’t someone they should be considering for this job.

Now, obviously, this has happened before. A lot of the jobs I apply for I don’t get interviews. But a lot of those are just things I apply for on the off-chance I might get them, so it hasn’t particularly bothered me. This, though, was exactly the kind of thing that, over the past month or two, I had come to the conclusion I should be going for, that I could do and might, just might, actually like doing. They, however, evidently felt that this was not an appropriate position for me. Since there were no formal requirements for the job besides some production experience (which I have) being an advantage, I can only conclude that this means I am essentially unemployable.

Increasingly I fear I have negligible prospects of ever finding a job that I want, like, or even don’t particularly mind. I will be doing well if I can just find a job that will have me.

Election

So, election tomorrow. And for the first time since I became old enough to vote in 2000, the result is not a completely foregone conclusion. Except that in this constituency it still is. Whatever the overall result across Britain, it is pretty much certain that David Cameron will still be MP for Witney.

So in fact doesn’t really matter how I vote, since in the end my constituency will elect a Conservative MP and my vote will be counted as a vote for the Tories. Even though I’d rather have another five years of our current shambolic excuse for a Labour government than see the Conservatives back in power.

This hasn’t bothered me much before. When the general election result was a foregone conclusion, it didn’t matter so much that the result in Witney was just as predictable. But that isn’t the case this time. There is some uncertainty this time around and suddenly it does bother me that I won’t get a say in which party forms our next government.

Another factor that has got me thinking more about this election than usual is that I know one of the candidates personally. Paul Wesson, who is standing as an independent candidate, I know as a fellow member of Ducklington Morris. There are lot of things, politically, on which I do not agree with Paul. But they are mostly national and international issues on which an independent MP would have little to no influence even if elected. Meanwhile on local issues (most notably the issue of a Carterton-Witney-Oxford rail link) I find a lot of common ground, and I do suspect that Paul would do a good job as a local MP, representing his constituents’ concerns and interests in Parliament.

So how to vote? Not for Cameron, obviously. The man’s a slimy, shape-shifting weasel. And, worse, a Conservative. And while the current crop of Tories may claim they aren’t the party of Margaret Thatcher any more, the evidence suggests otherwise. Joe Goldberg is also out. I first started paying attention to politics in my teens, when Tony Blair, Peter Mandelson and company were re-shaping the Labour party into its current form. I was suspicious of them then. Their fetish for privatisation and insistence that a free market would always fix everything (what kind of lunatic wants to shop around for hospital treatment?) never sat right with me. Their dragging the UK into an illegal foreign war under false pretences was shameful. Their numerous illiberalities (never mind irrelevant paper tigers like ID cards, what about extending the length of time suspects could be detained without charge from 36 hours to 28 days?) were disgusting. All along I grudgingly admitted that for all that I disliked Labour, they were at least doing a good job with the economy, which stayed strong and stable for many years. Now it turns out they weren’t even getting that right. So no, Labour, you don’t get my vote.

Voteforpolicies.org.uk says I should vote Green. Stuart Macdonald does seem to be one of the few non-Tory candidates for Witney with a genuine interest in the constituency and who isn’t just a paper candidate. But while I do have a lot of affinity for the Greens, I am also wary of the party’s lunatic fringe, and it is my understanding that they still fail badly when it comes to science.

The one party that clearly doesn’t fail on science is the Liberal Democrats. Historically, I’ve tended to vote Lib Dem and of the three main parties they are currently talking the most sense. Sure Dawn Barnes will not win the election in Witney and isn’t particularly expecting to or prepared to, but another LD vote that is then discarded due to the system will at least add further weight to their cries for electoral reform.

Overall, I think the Liberal Democrats will be the most likely recipients of my vote in this election. But I might still change my mind and vote Green or for Paul Wesson. If only because if Paul were to unseat David Cameron it would be hilarious.

Oxford Folk Festival 2010

So, how was it?

Friday night, saw Telling the Bees, Maclaine Colston & Saul Rose and Bellowhead. All were good. That said, I didn’t think Bellowhead were as good as the last couple of times I saw them, at Oxford and Cornbury festivals in 2008. Still really good, just not quite as brilliant as they were.

Did the whole Melomania thing on Saturday. I had though that this might not be happening, but discovered on Tuesday that it was on after all. Then off to the Old Tom for a session. A few hours and 3½ pints later, realised that I needed to get on and get changed and grab some lunch if I was going to be on time for my performance.

My set was OK. Not a disaster or anything. But after the initial sense of relief that it hadn’t gone badly wrong wore off, it was replaced with an overall sense of disappointment. My voice was slightly hoarse, partly due to the remnants of a cold and partly due to being a little dry; I probably shouldn’t have had the last pint in the Old Tom, and should have drunk more water instead. And I think it showed that I was very nervous.

I did get a good write-up here (tenth paragraph, not including the by-line), but that doesn’t mean a great deal as it’s fairly glowing about everyone. I am particularly amused by the use of the term ‘fearless’ considering I was so obviously frightened (although not, admittedly, about breaking genre barriers).

I’m also slightly disappointed that I think the song that went down best (and the link above would certainly back that up) was Pinball Wizard. It’s just a little deflating to realise that what people enjoy most is nothing to do with my skill as a singer, musician or even as an arranger. What they most enjoy is the novelty number, with an arrangement I nicked from one of Adlington Morris’s musicians.

Stuck around the second stage for Jon Fletcher, whom I’ve only seen before as part of Magpie Lane, and who was very good. Then saw Susanna Starling, who was also excellent (I do like me some double bass). Then I watched the Reverenzas. They were good, but I didn’t think they gained much by playing together. They are all three really good musicians (and James Bell in particular is a great performer), but I didn’t feel that what any of them were doing particularly complemented what any of the rest of them were doing.

Then I headed out to get some fresh air and a bite to eat. On returning, Huffenpuff were just finishing. At this point the next concert was starting on the main stage, but I’m not that keen on Cara Dillon, so instead I stayed at the Second Stage and watched Scarlett in the Wilderness, who were very good, and the ever-entertaining Steve Larkin.

Having only watched second-stage acts on Saturday, I stuck with the main stage on Sunday. The first concert started with Simon Care, followed by Jez Lowe and the Bad Pennies, and lastly Chris Wood, all of which were marvellous. Popped out for some lunch, then came back in the late afternoon for Maquam, followed by the fantastic Warsaw Village Band. The latter group have a huge, powerful sound that, although not actually sounding like it as such, put me in mind of heavy metal with its dramatic air and occasionally slightly menacing tone.

So that was it. As usual, a great way to spend the weekend.

Festivals

I don’t think this is news to anyone by now, but I have been booked to play at this year’s Oxford Folk Festival (see here, near the bottom of the page).

I must admit this is quite intimidating, for a few reasons. I’ve played at OFF before, but not by myself and, Melomania aside, not for a few years. As a solo performer, I’ve played countless open mic nights but very few other gigs and, again, not recently. And only to non-folkies.

Odd as it might seem, playing to people who are fans of this sort of thing is more intimidating than playing to a more general audience, because for those people it has novelty value. If someone is attending an open mic evening, they are presumably willing to be fairly open-minded about what they listen to, and although a bad act will be all the more loathed if it is also a novelty, provided you can get people to enjoy what you are doing at all, they will generally enjoy it all the more if it’s something they haven’t heard before. In addition, if it doesn’t go well, you can always tell yourself it was just because it wasn’t their sort of thing, rather than because it actually wasn’t any good.

But a group of people at a folk festival are mostly going to be people who already like folk music and to whom what I do is not going to be particularly novel. Since I don’t write songs, but instead perform largely traditional material (and the odd contemporary cover), they’ll likely even have heard these same songs before, quite possibly performed better by someone else. Which means they may well be much harder to impress.

There’s also the fact that this was the first gig I’ve had that I initiated. Previously when I’ve done something I’ve generally been asked to do it by someone, but this time I contacted Tim myself and asked to play at the festival. And I feel that having said ‘hey, you should book me’, there’s then more pressure to deliver on the day.

I also haven’t heard anything about Melomania this year, and if nobody’s said anything by now, I’m inclined to suspect that it won’t be happening. If that’s the case, then appearing on stage may well be my only route to a free ticket in future, and so I need to do well enough that they’re willing to have me back again next year.

This worry has made playing open mic nights more stressful, too. Normally, if it doesn’t go that well it’s a bit disappointing, but no big deal. But now it gets me worrying: what if I have a similar ‘off’ day when I’m on at the festival? I’m not sure what would be worse, just not being good enough, or being plenty good enough normally but somehow not doing myself justice when it actually counts.

In other news, I’m also going to be playing a small spot as part of the Witney Music Festival. This is a smaller local thing, made up of lots of little events rather than being a single monolithic festival. At present I’m not sure exactly how much I’m going to have to do, but it should be at the Hollybush on the evening of the first of April. If nothing else it’ll make for a good practice run for the Folk Festival a fortnight later.

Albums of 2009

For some reason, I feel it necessary to post a list of my favourite albums of last year, at least a month and a half after the rest of the world had completely lost interest in 2009. To be honest, I think now is a better time to be compiling a list like this than December would have been. There’s actually been time to properly digest the records that were released towards the end of the year and compare them more objectively with those from earlier months. So anyway, here are my top five albums of 2009:

5. Porcupine Tree – The Incident
I must admit I’m still digesting this one, so it’s possible it ought to be higher on the list. This certainly isn’t PT’s most accessible album, with disc 1 being a single 54-minute-long suite of music (although the not-quite-20-minute disc 2 is a much more approachable selection of four extra songs unrelated to the main concept). It’s ever so good, though.

4. Florence and the Machine – Lungs
I’ve mentioned this one already, and odds are you’ve heard at least some of it on a BBC trailer or on the radio or wherever. But as long as constant over-exposure hasn’t jaded you against it, this is a really good album.

3. Bat For Lashes – Two Suns
I first heard the lead single from this album on the radio, which sparked my interest, and then I was again drawn to listen to more when saw her on Later… Each time I heard more of this record, it turned out not to be quite what I thought it would be, and generally it proved to be something better instead. And Natasha Khan’s voice is simply gorgeous, which is always a plus.

2. Jon Boden – Songs from the Floodplain
A concept album set after the apocalypse that follows flooding and oil shortages. It took me a few listens to get into this one, but it was well worth it; it’s brilliant stuff. It’s folkier than Boden’s last album (the more indie-oriented Painted Lady), but it’s still quite different from his work with John Spiers and Bellowhead.

1. Heaven & Hell – The Devil You Know
No real surprises here; this album is largely what you’d expect from these guys in all respects bar one: how damn good it is. There can’t be many bands whose members have an average age of 59 rocking this damn hard. Regardless of the name it was released under, this is easily the best Black Sabbath album since The Mob Rules.

Honourable mentions:
Dream Theater – Black Clouds and Silver Linings
Slayer – World Painted Blood
Chickenfoot – Chickenfoot

Albums I probably would have liked if I’d got around to listening to them yet:
Skyclad – In the…All Together
Mastodon – Crack the Skye
Show of Hands – Arrogance, Ignorance and Greed

Discriminatory Haircuts

On Tuesday, I had a haircut for the first time in nearly three years. And it got me thinking. How is it that hairdressers are allowed to price their services based on the gender of the customer?

Now, I can see how women’s haircuts would typically be more expensive than men’s. Women’s hairstyles are often more elaborate than men’s, and so require more work. But while more elaborate cuts do often cost extra on top of simpler ones, even the most basic cuts are priced differently for men and women. Had I been a woman, it would have cost over 50% more to get the exact same haircut as I did.

I can also see why, from a business perspective, a hairdresser would charge women more. Society still has a far greater expectation of vanity for women; there is far more expectation of women to look good and to appear well-groomed. Consequently a haircut is, for a lot of women, a more valuable and important service than it is for men. What puzzles me, though, is how it can be legal in the modern age to provide an identical service at differing prices depending on the gender of the customer.

Snobbery

A month ago, I bought the album Lungs, by Florence and the Machine. This was a bit of a gamble, as I hadn’t heard much of it beforehand (not knowingly at least), and was mostly going by what one or two other people had said about it. And as it turned out, this was a good move. It’s a really good album.

Which is why it pains me to see it advertised on television, to hear excerpts from it used in one in five trailers on the BBC, and to know that it’s been a huge mainstream pop hit. Every time I am reminded that this is music that everybody knows and, apparently, likes, I cringe a little with embarrassment to think that I, too, like this music.

But what’s more embarrassing is the knowledge that this reaction is, ultimately, stupid. Why should it matter who else likes a record? It makes no more sense to dismiss a record because it is popular than it would to dismiss it because it isn’t. Ultimately, the only real test of a record is to listen to it, and whenever I do that (as, indeed, I am doing at this very moment) I am reminded that Lungs is a superb album.

The absurdity of this reaction is further emphasised that lots of the music I enjoy has enjoyed huge mainstream popularity in other eras. Of the 25 best-selling albums of all time, I own numbers 2, 3, 4, 11, 13, 23, and 24* (not to mention several more further down the list). So when it comes to anti-mainstream elitism, I don’t really have any credibility anyway.

But while I’m aware of all of this, it doesn’t stop that little cringe of embarrassment. It just means that I then I feel a second instant of embarrassment for having been embarrassed the first time.

*Back in Black, The Dark Side of the Moon, Bat Out of Hell, Rumours, Led Zeppelin’s 4th album, Born in the U.S.A. and Brothers in Arms